Next week, we’ll be posting an interview with the president & creative director of the toy company eeBoo. While you’re waiting, check out some of my favorite eeBoo stuffs.
I have to admit, I’m a big fan of TV series. It all started with Friends, which was a big part of my teenage years, and it got out of control this last few years with That’s 70s Show, Absolutly Fabulous, Spaced, The IT Crowd, How I Met Your Mother, The Big Bang Theory, Mad Men… The one think I really love about TV shows is that it’s like a almost never ending movie. You get to really know the characters, and they become part of your everyday life. The first time I went to NYC, I kept looking around, half-expecting to spot Phoebe playing guitar somewhere.
So, new year, new series.
Bored to Death is a quite young TV show, seeing that it started last September. There’s 8 episodes as of now, and it has been renewed by HBO for a second season. The pitch is pretty simple : Jonathan Ames is a writer struggling with his second novel who just got dumped by his girlfriend because he drinks too much white wine and smokes too many funny cigarettes. Now alone in his Brooklyn appartement, bored, he posts an ad on Craiglist proposing his services as a non-licensed private detective. The series then follows his cases, along with his pursuit of his ex, his relations with his editor boss and his comics illustrator friend.
Although the dialogues are really good, the characters interesting and the whole show very funny, the thing I like the most about it is it’s incredible inspiring effect on my own creativity. Proof:
1. The intro
The intro is VERY nice. It’s basically text in a book taking life and becoming characters. A picture is worth a thousand words, but this opening sequence is worth WAY more. Enjoy :
After seeing that, I just wanted to get a book and animate it. It reminded me of thoses fantasticboot cuts I saw a while back :
You can see many more inspirating boot cuts on Su Blackwell’s website. There’s also a TON of idead on this OffBeat Earth post. What was once nearly a sin (cutting a book) is now a very artistic activity. Go cut your books !
2. Comic book fun
In the show, Jonathan’s friend Ray is a comic book artist. He does various stories, mostly about his own life, but in a superhero way. The style is very Marvelish, but it’s so funny to see how Ray interprets his own life to turn it into comics.
After seeing Ray’s drawing, you can’t help but grab a notebook and try to sketch your friends comics-style. I did a drawing of myself actually, clicke HERE to see it. Haha ! You can see more drawings (all by Dean Haspiel) at HBO’s website.
3. Jason Schwartzman !
Jonathan is played by Jason Schwartzman. This is a good opportunity to look back on his carreer. This guy has been around for quite a while. I first saw him in Wes Anderson’s “Rushmore“. He then reappeared in Sofia Coppola’s “Marie-Antoinette” and again in Wes Anderson’s “Darjeeling Limited“.
This three movies are very different, but all are interesting and visually inspiring.
And, as if Jason couldn’t get any cooler, he’s also a musician, with a solo project named Coconut Records. He’s the one who wrote and performed on the opening song of the series. Is that cool, or what ? Go play that video again.
4. Brooklyn and NYC
To finish this post, a quick word on the settings of the show. Most of it is in Brooklyn, and HBO has put up an interactive map of the locations shown on the series (scroll down and click on the map). With every new episode, new places are added on the map. That way, next time you wander around Brooklyn, you can check out Bored To Death‘s settings !
So, I hope you’ll check Bored To Death and use it to fuel your creativity !
I read E. T. A. Hoffmann’s The Sandman for a class this year. It is a kind of disturbing and thrilling fairy tale that I had previously only known through Freud’s interpretation in The Uncanny. While reading it, I faintly recalled that this was the same man who authored The Nutcracker, which also always seemed disturbing, what with that seven-headed mouse and all.
So, I went in my xmas-book-archives and found the fabulous edition shown above. I am obsessed, and anyone who has come to my house in the past three weeks has been forced to look at it. It is a translation of the original text, not some dumbed-down and docile version “for children.” Not only that, but it is illustrated by Maurice Sendak, author of the children’s classic Where the Wild Things Are
Detailed illustrations occur throughout the text:
“She is overwhelmed with growing up and has no knowledge of what this means. I think the ballet is all about a strong emotional sense of something happening to her, which is bewildering.” — Maurice Sendak, NPR interview
There are also full-page illustrations, or, best of all, full-page spreads:
During the adventure to the magical capital, there are four beautiful full-page spreads in a row (oh, and a wild thing peeks his head out in one of them!):
Anyway, now that I’ve shown you all that, here’s the bad news: it’s out of print. Here’s the good news: it looks like there are still some old copies for sale on amazon.com in paperback and hardcover.
During a NYC adventure a few weeks ago, my friend and I walked past Biography Bookshop. My friend noticed copies of This Is New York and This Is London in the store window. I hadn’t even heard of Miroslav Sasek before, and I felt pretty pathetic! A Czech author and illustrator, Miroslav is most well known for his This Is… series: a collection of city guides for children. Each book takes the reader on an amusing tour throughout the city, and highlights both the landmarks and uniqueness of each location. During the past few years, more than half of the This Is series has been reissued. I adore the illustrations, and think it’s fascinating to see each city from a 1960s perspective.
Now for FIVE SILLY FACTS ON MIROSLAV SASEK:
1. He was born in Prague!
2. He wanted to be a painter, but his parents pressured him to become an architect.
3. Although he lived in Munich, he considered Paris his home.
4. There are 18 books in the This Is series. Four of these books were adapted into movies.
5. After returning from a book adventure, he would pick mushrooms in the woods.
I think Miroslav Sasek has become one of my favorite children’s book illustrators. Who are some of your favorite illustrators?
Note! All of the pictures above are from the lovely site This is M. Sasek, the most comprehensive website on Miroslav Sasek.
H-A-P-P-Y F-R-I-D-A-Y!
It has been a busy week here at Stickers & Donuts. We interviewed Ian Dingman. And we LOVED IT. Go take a look if you haven’t yet. (The interview seems long, but when you get right down to it, you’ll wish it were longer!)
We’ve had the pleasure of interviewing many cool people here at S&D, which brings me back to this Yellow Zilla Monster Print by Tad Carpenter who we interviewed for Tricia’s “Poster Party.” (more…)
Give three cheers (or more!) illustrator Ian Dingman is here!
(Okay, so I guess I wouldn’t really want someone saying I wasn’t cryptic & enigmatic anymore, but you know how we writers like to twist words to sell our journalistic tell-all article, er, wait, I don’t work for Vogue. Anyway, my title didn’t come out of nowhere, you can find out what I mean in a tag-team Currently Obsessed post coming to you tomorrow.)
Hopefully by now you’ve perused my favorite Ian Dingman pieces, realized he is the man behind the new cover for Wes Anderson’s Bottle Rocket, and are now ready to enjoy an entertaining interview with the art-star himself.
Just imagine Ian (who looks exactly like Ben Folds) and me sitting down at a nice cafe in Chicago eating chorizo and drinking Coca-Cola. I have a Moleskin reporter-style notebook and a UniBall pen and Ian is obviously carrying Rapidograph pens and some notebook which is actually exuding coolness in visible, describable colors (but I won’t describe them, because you wouldn’t believe me anyway).
I ask incredible, thought-provoking questions that cause Ian to divulge his coolness in such a way that now I can use watercolors with such mastery that, like Ian, I’m asked to create a DVD cover for a Wes Anderson film.
Alright. So that didn’t happen. It was actually an email interview. But he does look a little like Ben Folds. And he does exude coolness, even over email. (PS He reads Stickers & Donuts! My heart melts!)
And now, the interview (there are MORE WONDERFUL IMAGES, so scroll on, my friend!):
1. Your life story. In a paragraph. Location. Education. Family. Crappy jobs.
I grew up in northwestern Illinois (Orion), went to college in the heart of Illinois (Illinois State University), and currently live in northeastern Illinois (Chicago). I have one brother and one sister, neither involved in the art. At one point we all lived about as far away from each other as possible within the United States (Portland, OR, Miami, FL, and New York, NY), but now we’re all relatively close again in the Midwest.
Until I finally got to the point of doing what I’ve always wanted to do, every job has been lame. Of course, the worst of the bunch came during high school. That said, I suppose vacuuming the “greens” at a mini golf course wins out.
I often incorporate the moon into my work as well, always thinking, “I haven’t drawn a moon in awhile,” when in actuality, I probably just did two or three pieces beforehand.
2. How would you describe the visual aspects of your artwork to someone who hasn’t seen it? How would you describe common themes in your work to, say, an English major?
Visually, I think my work tackles simple subjects and presents them in a mix of objectivity and subjectivity. My ink lines are usually precise. My watercolor is a little more on the awkward side. I try and let the medium run its own course (bleeding, striations, etc.) which I think produces a nice semi-controlled effect.
I believe my “stock” biography states my work has themes of humor, melancholy and season. I suppose these are all still valid, but more and more I think my work is centered around nostalgia and romantic ideals. I often incorporate the moon into my work as well, always thinking, “I haven’t drawn a moon in awhile,” when in actuality, I probably just did two or three pieces beforehand.
3. What are your favorite art supplies?
The essentials: Arches hot-pressed watercolor paper. Arches watercolor brushes. Rapidograph pens. Technical pencils. Dr. Ph. Martin’s concentrated water color. The fun stuff: Electric eraser. Cotton balls. Rolled paper. Vintage pencil sharpener. Crayons.
The first piece I ever had in the NY Times is probably my favorite commercial piece. It’s a relatively small drawing of a man floating on a lime in an imperfect block of blue water.
4. What’s your favorite piece of commercial work you’ve done, and your favorite piece of non-commercial work?
The first piece I ever had in the NY Times is probably my favorite commercial piece. It’s a relatively small drawing of a man floating on a lime in an imperfect block of blue water. (Maria’s Note: See first image in collage above.) I like it because I think it set a precedent or benchmark of how I wanted my style to look, so I’m always looking back to it as a reminder.
My favorite non-commercial piece I’ve done is probably a self-portrait that I completed in a day’s time. (Maria’s Note: See top right image above.) Again, it captured what I want my work to look like, so I sometimes find myself studying it. The work I’m always happiest with seem to be the pieces that I crank out without overthinking and overanalyzing.
5. If you were another version of yourself, and you could buy one piece of your own work that’s currently on your “Art for Sale” page, what would it be?
That’s hard… I suppose it would be the small drawing of a vintage medium format camera. (Maria’s Note: See top row, middle image in the collage above.) It’s pretty hard to screw up a drawing of such a pretty little machine.
6. What are you creatively inspired by?
Painters David Hockney and Luc Tuymans, and also photographer Uta Barth. I’ve always felt a connection to Hockney’s work whether it presents itself in my pieces or not. His compositions have always interested me as well as his color palette. Tuymans and Barth are influential in a more subliminal way. The atmospheres they create are genuinely moving, and I try to capture that in my work.
Things to look forward to [in the Criterion Collection release of Bottle Rocket]: on-screen menu pages galore, my awkward hand-drawn version of Futura, and among other things I’m leaving out, a 24-page booklet that might interest even the most casual Wes Anderson fans.
7. How did you get to do the cover art for Bottle Rocket’s Criterion Collection? Will we see your work just on the cover, or is it on the booklet, too? (Also, do you have a favorite Wes Anderson movie?)
I received a message from Criterion outlining the “Bottle Rocket” project and asking if I was interested. Of course I was interested as well as excited. I had seen the movie a long time ago and have always been a fan of Wes’ movies as well as Eric’s artwork. He unfortunately was unavailable for the project.
The assignment turned out to be a massive undertaking that was slowly crafted over eight months. Wes was involved in every aspect of the project and nothing made it to final art without Wes’ approval. Things to look forward to: on-screen menu pages galore, my awkward hand-drawn version of Futura, and among other things I’m leaving out, a 24-page booklet that might interest even the most casual Wes Anderson fans. Favorite Wes Anderson movie? Rushmore, hands down.
8. What do you have on your walls at home?
I’ve got prints by Evah Fan, Justin Gabbard, Luke Ramsey and Amanda McCorkle. A fantastic collage by Rod Homer. A couple of Edgar Allen Poe postcards that are framed. My centerpiece is a print by an unknown artist (thrift store!) of two pink flamingos at night beneath a starry sky.
Above: An an entirely made up image of what is probably not actually on Ian Dingman’s wall. See below for image credits. (more…)
The Odeon by Ian Dingman, 6×9, $35 with shipping
This is post ONE of THREE featuring illustrator Ian Dingman. TODAY I will introduce him as an artist & show you why I like (love) his work.
TOMORROW I’ll feature an exclusive & fabulous interview with lots of pretty pictures (he will tell us wonderful things about the new Criterion Collection release of Bottle Rocket and reveal the secret to his success. Okay, maybe not the second part.).
THE NEXT DAY Ian will tell us his current obsessions. I am super-excited-thrilled about this series of posts so I really hope you enjoy them!
Ian Dingman illustrates for the likes of The New York Times, Real Simple magazine, WES ANDERSON, and people like us (you and me!), who just want an Ian Dingman print on our walls (who wouldn’t?!).
I admit I’m a little stuck on the whole cover-of-Bottle Rocket thing. We know that Wes Anderson has impeccable taste, so his choice of Ian Dingman for a cover artist for a special edition of the filmmaker’s first-ever feature film certainly has meaning. Ian’s style expresses a lot of the same themes as Anderson’s movies: sadness, humor, awkwardness. But all of it, even the awkward parts, are beautiful, cartoonish, detailed.
Just one wonderful thing about Ian’s work is that it’s super affordable. You can own his ORIGINAL ARTWORK for less than $100. Or, if you are kind of poor, you can lie in wait until Ian does another print for Tiny Showcase (previous prints there have been a mere $20). (He will be doing something for Tiny Showcase! He wouldn’t reveal what, but I hope it’s a Learning Print!)
“Getting Late, Early” for Tiny Showcase
If you can’t wait for Tiny Showcase, and you are sort of poor, you can buy the first print I featured on this page for only $30. ($35 with shipping. I know this because, in my total indecisiveness and parsimoniousness, I’ve clicked on the “buy” button several times.) If you are REALLY, REALLY poor you can steal someone’s New York Times. You are bound to find an Ian Dingman reproduction somewhere in there.
For now, you can admire some of my favorite Ian Dingman works here:
Left: Look at that grass! Just look at it!
Right: This drawing actually gives me the fuzzy feeling I would have if I drove by this building on the street and, noticing its purple-ness (in a fall sunset, perhaps), pulled over to just look for a minute. Then, of course, I’d try to take a picture and wouldn’t capture the feeling at all, but Ian has.
Deloitte Review “Healthcare Revisions”
Art Director: Matt Lennert
It’s so amusing to look at all of the details in the picture above. I love that when Ian’s work is funny, often the people in the work themselves are straight-faced, unaware of the ridiculousness that surrounds them. (Another Wes Anderson similarity!)
Right image: Miscellaneous Wardrobe From
The 2002 Film Secretary, No. 1,
2008, ink and watercolor on paper,9.5 x 9″, $180
Left: You know how I love cupcakes.
Right: Can we talk about how funny the title is? Yeah, I know.
Remember how I said the people in Ian’s work don’t always notice the humorous situations they are a part of? Well, sometimes inanimate objects in his work give you this same feeling. Like, it’s just a shoe. Standing there. In all seriousness. But it’s funny.
For Social Gatherings Only
2006, ink and watercolor on paper, 8.375 x 5.125″
Like the Doctor’s Office drawing, this image is full of details. Maybe it’s the fiction-writer in me, but I love a drawing with details (and great titles).
So, as you can imagine, I recommend a perusal of Ian Dingman’s web-page. You can purchase work or just look. Or, if you want, you can touch it. But you might smudge your computer screen.
TOMORROW: INTERVIEW WITH IAN! NEXT DAY: CURRENTLY OBESSED WITH IAN!
In this post, I’m going to explore just a few (okay, a lot) of A Print A Day illustrator Yasmine’s inspirations (read about her blog and her life history here (scroll)!). In the following few images, an “inspiration” image will appear on the left while a few A Print A Day images will appear on the right.
I think my inspiration comes from everyday things, from the weeds that grow on my lawn to breaking into an old abandoned mill and finding a treasure trove of decaying awesomeness. I like “pretty” things, but what I find even more attractive are the layers underneath. — Yasmine
LOCATION
Yasmine has lived all over the world, and is frequently inspired by her location. San Francisco offers everything from “the cute little mushroom grafs on the ground to the gorgeous Victorian architecture,” says Yasmine. While her other home in Arizona is more relaxed, she still finds inspiration in everything from “the tiny scorpions to the crazy amazing skies, especially during a thunderstorm.”
Yasmine has several mushroom prints, the one on the far right (Red Caps, a notepaper and label version can be downloaded free here) is one of her favorites.
COMICS
Yasmine was obsessed with comic books growing up, and still loves them now. From them she sometimes borrows a graphical pop-art aesthetic (middle) or classic comic panes. (Little-known fact: Yasmine’s blog was initially going to be an online comic! She says she still might make a printed comic or a zine one day.)
Some comics Yasmine loves (left to right, then top to bottom, click on image for larger version): Watchmen by Alan Moore & Dave Gibbons, Blankets by Craig Thompson, Uncanny X-Men, Tank Girl, Archie, Tekkon Kinkreet (and other Manga), and Ghost World.
FOLK ART
“I get a majority of my inspiration from folk art: America, Russian, Filipino, or otherwise,” says Yasmine. “I love Amish craftsmanship and lines. I LOVE Pennsylvania Dutch images. I love ikat and batik patterns.”
FAMILY
Yasmine says she learned a lot of both the art and business of her work from her family. Her mom was an animator for Jem & the Holograms, and, in similar bright-color fair, Yasmine later worked for Lisa Frank. Some of her work still shows off such bright colors and cartoon-flavor.
OTHER ARTISTS
Yasmine admires a lot of illustrators, especially fairy-tale artists & self-taught artists (hence the folk art, which I’ve collected in the lower left hand corner of this image).
Left to right: Henry Darger (Check out this guy’s life story on Wikipedia! He was a recluse and his work was discovered posthumously, & his work is now one of the most famous examples of “outsider art“.); Edmund Dulac, who drew beatiful fairy tale images (she also loves Arthur Rackman, who also drew fairy tale art); Beatrix Potter; Gregory Blackstock, a man diagnosed as an autistic-savant who draws with amazing detail (Yasmine pointed me to a youtube video of him here); Folk Art: Pennsylvania Dutch, ikat and batik fabric patterns; Vera scarf (cool patterns on these).
This is the sad but true end to my Yasmine interview! You can view Parts I-III of this interview here and, of course, you can visit A Print A Day for more prints from Yasmine!
Yasmine, illustrator & owner of the blog A Print a Day (see previous post for more info), has, thus far, had an incredibly interesting life. Here’s the short version. (more…)
I love books. I love reading them. I love looking at them. I love stacking them. Sometimes, I love them without ever even reading them (*gasp* weren’t you an English major in college?!).
“Even when reading is impossible, the presence of books acquired[...] produces such an ecstasy that the buying of more books than one can[...] read is nothing less than the soul reaching towards infinity[…] we cherish books even if unread, their mere presence exudes comfort, their ready access, reassurance.” —Alfred Edward Newton (1863 – 1940)
Books can be pretty, and to enjoy the aesthetic pleasure of cover art, page layout, typography — that I do not think is a sin. Here are a few other people who agree with me, and some of my favorite places to travel for my aesthetic love of books.
Above: From a post about What it Is by Lynda Barry
This is my favorite book blog and I recommend an immediate RSS subscription. The author, an amazing illustrator in her own right, and provides scans from sketchbooks, children’s books, comic books, craft books, and any other kind of page turning instrument with pictures or gadgets.
I love this site because it reveals (1) the artistic innards of books, (2) books not on best seller’s lists. She clearly spends time selecting pretty pages to preview, proving that the title of her site should be something more like Book By Its Cover and Great Examples of Inside Pages Too (can you tell I’m a writer? I thought so.)
2.
Covers
I love this site most because the main page’s grid layout gets me all excited about book covers every time I see it. You can click on each cover to see a larger version and commentary. They update every week, and it’s another book blog I wouldn’t hesitate to subscribe to.
3.
Flickr Sets
Above: Image from the Old-Timey Paperback Book Covers group pool on Flickr.
Veer recently posted about a flickr collection featuring scans from mid-20th century books. This got me scouting around for more flickr sets. Here are some of my favorite finds from group pools: Mother Goose Illustrations, The Retro Kid Pool, and Old-Timey Paperback Book Covers.
4.
McSweeney’s
Above: Image from NY Magazine
According to me, McSweeney’s consistently publishes some of the best-looking books on the planet. You’ve already seen my review of Maps & Legends, printed by McSweeney’s, and you can browse around for even more on the McSweeny’s site, either in the Books section or in the McSweeney’s Quarterly Concern section (the McS’s lit mag). These books are all better in 3-D, though, a lot of them have secret openings, layered covers, or some other graphical gimmick that I can’t get enough of.
5.
The Book Design Review
Above: Image from The Book Design Review
Ironically, you should not judge this page by its header because it’s full of cool book covers and book cover discussions (ironically my friend Marmalade pointed me to this at almost the exact same time I was posting it, and now I’m trying to think of a pun about being “on the same page” but it isn’t going well).
In summary, you should judge book covers by their book covers. In order to do so, you should visit the following places (right click, open in new window): (more…)
